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===Essays, catalogues, and public engagement===

===Essays, catalogues, and public engagement===

Throughout her career Jussim contributed essays, introductions, and forewords to major exhibition catalogues, photography monographs, and anthologies published by institutions including the [[Friends of Photography]], the [[Walker Art Center]], the [[Center for Creative Photography]], and [[Aperture Foundation|Aperture]]. Her essays appeared alongside work by leading figures in photography history and criticism, among them [[Beaumont Newhall]], [[Nathan Lyons]], [[Naomi Rosenblum]], [[Alan Trachtenberg]], and [[Van Deren Coke]].

Jussim contributed essays, introductions, and forewords to major exhibition catalogues, monographs, and anthologies published by institutions including the [[Friends of Photography]],>{{cite book |editor-last=Featherstone |editor-first=David |title=Observations |publisher=Friends of Photography |location=Carmel, California |year=1984 |isbn=9780933286399 |url=https://search.worldcat.org/title/11184003}}> the [[Walker Art Center]], the [[Center for Creative Photography]],>{{cite book |editor-last=Enyeart |editor-first=James |title=Decade by Decade: Twentieth-Century American Photography from the Collection of the Center for Creative Photography |publisher=Bulfinch Press |year=1989 |isbn=9780821217214 |url=https://search.worldcat.org/title/18442076}}> and [[Aperture Foundation|Aperture]]. Her essays appeared alongside those of [[Beaumont Newhall]], [[Nathan Lyons]], [[Naomi Rosenblum]], [[Alan Trachtenberg]], and [[Van Deren Coke]].>{{cite book |editor-last=Collins |editor-first=Kathleen |title=Shadow and Substance: Essays on the History of Photography in Honor of Heinz K. Henisch |publisher=Amorphous Institute Press |location=Bloomfield Hills, Michigan |year=1990 |isbn=9780910331012 |url=https://search.worldcat.org/title/23975600}}>

In 1984 she was invited by the [[Walker Art Center]] in Minneapolis as one of six nationally renowned scholars to participate in the ''Image and Message'' lecture series, funded by the [[National Endowment for the Humanities]], directed by [[John Schott]], and held in conjunction with the exhibition ''The 20th-Century Poster: Design of the Avant-Garde''.{{cite book |author=Walker Art Center |title=Image and Message: A Conversation Between John Schott and Estelle Jussim |publisher=Walker Art Center |location=Minneapolis, Minnesota |year=1984 |url=https://library.walkerart.org/cgi-bin/koha/opac-detail.pl?biblionumber=36304}} Her essay "The Self-Reflexive Camera" (1989) was later anthologized in ''Photography: 1900 to the Present'' (Prentice Hall, 1998), described as the first history of twentieth-century photography drawing on over fifty prominent historians, critics, and artists.{{cite book |editor-last=Hulick |editor-first=Diana Emery |editor2-last=Marshall |editor2-first=Joseph |title=Photography: 1900 to the Present |publisher=Prentice Hall |location=Upper Saddle River, New Jersey |year=1998 |isbn=9780132540957 |url=https://search.worldcat.org/title/36761665}} She also wrote for general audiences, contributing "Images of Apocalypse," a review essay on survivor drawings of the [[Atomic bombings of Hiroshima and Nagasaki|Hiroshima and Nagasaki bombings]], to the ''[[Boston Review]]'' in 1981.{{cite journal |last=Jussim |first=Estelle |title=Images of Apocalypse |journal=Boston Review |date=1981 |url=https://www.bostonreview.net/articles/images-of-apocalypse/}}

In 1984 she was invited by the [[Walker Art Center]] in Minneapolis as one of six nationally renowned scholars to participate in the ''Image and Message'' lecture series, funded by the [[National Endowment for the Humanities]], directed by [[John Schott]], and held in conjunction with the exhibition ''The 20th-Century Poster: Design of the Avant-Garde''.{{cite book |author=Walker Art Center |title=Image and Message: A Conversation Between John Schott and Estelle Jussim |publisher=Walker Art Center |location=Minneapolis, Minnesota |year=1984 |url=https://library.walkerart.org/cgi-bin/koha/opac-detail.pl?biblionumber=36304}} Her essay "The Self-Reflexive Camera" (1989) was later anthologized in ''Photography: 1900 to the Present'' (Prentice Hall, 1998), described as the first history of twentieth-century photography drawing on over fifty prominent historians, critics, and artists.{{cite book |editor-last=Hulick |editor-first=Diana Emery |editor2-last=Marshall |editor2-first=Joseph |title=Photography: 1900 to the Present |publisher=Prentice Hall |location=Upper Saddle River, New Jersey |year=1998 |isbn=9780132540957 |url=https://search.worldcat.org/title/36761665}} She also wrote for general audiences, contributing "Images of Apocalypse," a review essay on survivor drawings of the [[Atomic bombings of Hiroshima and Nagasaki|Hiroshima and Nagasaki bombings]], to the ''[[Boston Review]]'' in 1981.{{cite journal |last=Jussim |first=Estelle |title=Images of Apocalypse |journal=Boston Review |date=1981 |url=https://www.bostonreview.net/articles/images-of-apocalypse/}}