Semiotext(e)
fix link
| ← Previous revision | Revision as of 01:28, 20 April 2026 | ||
| Line 37: | Line 37: | ||
In 2004, El Kholti became [[managing editor]] of the press. He, Kraus and Lotringer then became joint, list-wide co-editors. Semiotext(e)'s new goal was to advance its original conflation of literature and theory, and to expand the [[Anti-capitalism|anti-bourgeois]] [[queer theory]] presented in early issues of the Semiotext(e) journal.{{cn|date=January 2021}} |
In 2004, El Kholti became [[managing editor]] of the press. He, Kraus and Lotringer then became joint, list-wide co-editors. Semiotext(e)'s new goal was to advance its original conflation of literature and theory, and to expand the [[Anti-capitalism|anti-bourgeois]] [[queer theory]] presented in early issues of the Semiotext(e) journal.{{cn|date=January 2021}} |
||
The purview of Native Agents expanded to include science fiction books by [[Maurice Dantec]] and [[Mark von Schlegell]] and works by writers like [[Tony Duvert]], [[Pierre Guyotat]], [[Travis Jeppesen]], [[Grisélidis Réal|Grisélidis Real]], [[Bruce Benderson]], and [[Abdellah Taïa]]. Aware that the theorists he introduced in the 1980s had by now been absorbed into the academic mainstream, [[Sylvère Lotringer]] turned his attention to Italy's post-[[Autonomia Operaia|Autonomia]] [[critical theory]], commissioning and publishing works by [[Franco Berardi|Franco 'Bifo' Berardi]], [[Paolo Virno]], [[Antonio Negri]], [[:fr:Christian Marazzi|Christian Marazzi]] [[:fr:Wikipédia:Accueil principal|[fr]]], [[Maurizio Lazzarato]] and others. Semiotext(e) also became the English-language publisher for [[Peter Sloterdijk]]’s notable [[Spheres trilogy|''Spheres'' trilogy]]. Re-visioning New York's ‘last [[avant-garde]]’ of the 1980s, Semiotext(e) published archival works by or about some of that era's most important artists, including [[Penny Arcade (performer)|Penny Arcade]], [[Gary Indiana]] and [[David Wojnarowicz]]. |
The purview of Native Agents expanded to include science fiction books by [[Maurice Dantec]] and [[Mark von Schlegell]] and works by writers like [[Tony Duvert]], [[Pierre Guyotat]], [[Travis Jeppesen]], [[Grisélidis Réal|Grisélidis Real]], [[Bruce Benderson]], and [[Abdellah Taïa]]. Aware that the theorists he introduced in the 1980s had by now been absorbed into the academic mainstream, [[Sylvère Lotringer]] turned his attention to Italy's post-[[Autonomia Operaia|Autonomia]] [[critical theory]], commissioning and publishing works by [[Franco Berardi|Franco 'Bifo' Berardi]], [[Paolo Virno]], [[Antonio Negri]], [[:fr:Christian Marazzi|Christian Marazzi]] [[:fr:Wikipédia:Accueil principal|[fr]]], [[Maurizio Lazzarato]] and others. Semiotext(e) also became the English-language publisher for [[Peter Sloterdijk]]’s notable [[Spheres trilogy|''Spheres'' trilogy]]. Re-visioning New York's ‘last [[avant-garde]]’ of the 1980s, Semiotext(e) published archival works by or about some of that era's most important artists, including [[Penny Arcade (performer)|Penny Arcade]], [[Gary Indiana (writer)|Gary Indiana]] and [[David Wojnarowicz]]. |
||
''Semiotext(e)'' was invited to participate as an artist in the 2014 [[Whitney Biennial]], for which it produced twenty-eight pamphlets by writers and artists associated with the press.[https://www.nytimes.com/2013/11/15/arts/design/the-2014-whitney-biennial-is-taking-shape.html ”The 2014 Whitney Biennial Is Taking Shape,”] by Carol Vogel, ''[[The New York Times|NY Times]]'', November 14, 2014. These included "new, commissioned works by [[Franco Berardi|Franco “Bifo" Berardi]], [[John Kelsey (artist)|John Kelsey]], [[Chris Kraus (American writer)|Chris Kraus]], [[Eileen Myles]], [[Ariana Reines]], and [[Abdellah Taïa]], among others, and previously unpublished texts by such influential twentieth-century figures as [[Simone Weil]], [[Julio Cortázar|Julio Cortazar]], and [[Jean Baudrillard]]."{{Cite web |title=Semiotext(e) |url=https://whitney.org/exhibitions/2014-biennial/semiotext-e |access-date=July 11, 2024 |website=whitney.org |language=en}} |
''Semiotext(e)'' was invited to participate as an artist in the 2014 [[Whitney Biennial]], for which it produced twenty-eight pamphlets by writers and artists associated with the press.[https://www.nytimes.com/2013/11/15/arts/design/the-2014-whitney-biennial-is-taking-shape.html ”The 2014 Whitney Biennial Is Taking Shape,”] by Carol Vogel, ''[[The New York Times|NY Times]]'', November 14, 2014. These included "new, commissioned works by [[Franco Berardi|Franco “Bifo" Berardi]], [[John Kelsey (artist)|John Kelsey]], [[Chris Kraus (American writer)|Chris Kraus]], [[Eileen Myles]], [[Ariana Reines]], and [[Abdellah Taïa]], among others, and previously unpublished texts by such influential twentieth-century figures as [[Simone Weil]], [[Julio Cortázar|Julio Cortazar]], and [[Jean Baudrillard]]."{{Cite web |title=Semiotext(e) |url=https://whitney.org/exhibitions/2014-biennial/semiotext-e |access-date=July 11, 2024 |website=whitney.org |language=en}} |
||