For All Debts Public and Private
Production
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* This episode was the first to be produced and aired after the [[September 11 attacks]]. From this episode on, the shot of the [[World Trade Center (1973–2001)|World Trade Center]] towers in the opening credits is absent, replaced by additional shots of industrial scenery before reaching the toll booth. |
* This episode was the first to be produced and aired after the [[September 11 attacks]]. From this episode on, the shot of the [[World Trade Center (1973–2001)|World Trade Center]] towers in the opening credits is absent, replaced by additional shots of industrial scenery before reaching the toll booth. |
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* [[Vince Curatola]] ([[Johnny Sack]]) is now billed in the opening credits, but only for the episodes in which he appears. |
* [[Vince Curatola]] ([[Johnny Sack]]) is now billed in the opening credits, but only for the episodes in which he appears. |
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* A comment made by Carmine Lupertazzi to Tony Soprano, "A [[Mafia don|don]] doesn't wear shorts", was added into the show after [[James Gandolfini]] was contacted by a supposed real-life |
* A comment made by Carmine Lupertazzi to Tony Soprano, "A [[Mafia don|don]] doesn't wear shorts", was added into the show after [[James Gandolfini]] was contacted by a supposed real-life mobster who praised him on the authenticity of the show, with the exception that Tony often wears shorts, which he said a real don would never do.{{cite web |last1=Torres |first1=Libby |title=James Gandolfini once got a 'disturbing' anonymous phone call in the middle of the night that eventually inspired an iconic 'Sopranos' line |url=https://www.insider.com/james-gandolfini-sopranos-tony-woke-up-this-morning-phone-call-2021-11 |website=Insider |access-date=11 August 2023}} |
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* "For All Debts Public and Private" is one of only two ''Sopranos'' episodes in which the end credits roll on top of a picture (the eye of the twenty-dollar bill in this case) instead of a black background (the other episode is "[[Cold Cuts (The Sopranos)|Cold Cuts]]" from Season 5) and the only episode in which they do so for the entire duration of the credits. |
* "For All Debts Public and Private" is one of only two ''Sopranos'' episodes in which the end credits roll on top of a picture (the eye of the twenty-dollar bill in this case) instead of a black background (the other episode is "[[Cold Cuts (The Sopranos)|Cold Cuts]]" from Season 5) and the only episode in which they do so for the entire duration of the credits. |
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