BAFTA Breakthrough Nathalie Pitters on Painting ‘How to Get to Heaven From Belfast’ With Bold Color, Warped Lenses, and Cinematic Comedy
The cinematographer breaks down her rule-breaking color palette, noir-tinged visuals, and how explosive set pieces and Irish landscapes shaped the show’s uniquely vibrant, cinematic comedy.
The cinematographer breaks down her rule-breaking color palette, noir-tinged visuals, and how explosive set pieces and Irish landscapes shaped the show’s uniquely vibrant, cinematic comedy.
