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''''Heirs Come To Pass 3'''' (1991) is a silver dye bleach print made from digitally assisted montage, which is currently not on viewing at the [[Smithsonian American Art Museum]]. The description emphasizes the artistic choice of using photographs of anonymous individuals from second-hand stores, in order to create a digitally tableaux that is both familiar and haunting.[{{Cite web |title=Heirs Come to Pass, 3 ]{{!}} Smithsonian American Art Museum|url=https://americanart.si.edu/artwork/heirs-come-pass-3-36485|access-date=2026-04-30|website=americanart.si.edu|language=en}} |
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''''Heirs Come To Pass 3'''' (1991) is a silver dye bleach print made from digitally assisted montage, which is currently not on viewing at the [[Smithsonian American Art Museum]]. The description emphasizes the artistic choice of using photographs of anonymous individuals from second-hand stores, in order to create a digitally tableaux that is both familiar and haunting.[{{Cite web |title=Heirs Come to Pass, 3 |website=Smithsonian American Art Museum|url=https://americanart.si.edu/artwork/heirs-come-pass-3-36485|access-date=2026-04-30|language=en}}] |
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''''Bearing in Mind 1'''' (1998) by Martina Lopez emphasizes a relatively realistic impression of pictorial space. The illusion is intentionally meant to not look perfect. [https://www.ithaca.edu/faculty/skopik Steven Skopik] notes that the scale and placement are fairly rational and that the viewer readily recognizes the image as an artistic construction. The figures resemble paper dolls, like cutouts, with sharp edges, mismatched lighting and shadows, color discontinuities, and a range of both obvious and subtle visual cues that signal the work’s artificiality. Such images are coherent to a point, but, as with paintings, viewers remain aware of their conventionalized nature.[{{Cite journal |last=Skopik|first=Steven|date=Autumn 2003|title=Digital Photography: Truth, Meaning, Aesthetics|url=https://static1.squarespace.com/static/538220a1e4b011aa8abfec1e/t/5399e0b9e4b053c5aa53db59/1402593465754/DIGITAL+ALLEGORY.pdf|journal=History of Photography|volume=]Vol 27.3|issue=27|pages=264–271|doi=10.1080/03087298.2003.10441252 |via=JSTOR}} |
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''''Bearing in Mind 1'''' (1998) by Martina Lopez emphasizes a relatively realistic impression of pictorial space. The illusion is intentionally meant to not look perfect. [https://www.ithaca.edu/faculty/skopik Steven Skopik] notes that the scale and placement are fairly rational and that the viewer readily recognizes the image as an artistic construction. The figures resemble paper dolls, like cutouts, with sharp edges, mismatched lighting and shadows, color discontinuities, and a range of both obvious and subtle visual cues that signal the work’s artificiality. Such images are coherent to a point, but, as with paintings, viewers remain aware of their conventionalized nature.[{{Cite journal |last=Skopik|first=Steven|date=Autumn 2003|title=Digital Photography: Truth, Meaning, Aesthetics|url=https://static1.squarespace.com/static/538220a1e4b011aa8abfec1e/t/5399e0b9e4b053c5aa53db59/1402593465754/DIGITAL+ALLEGORY.pdf|journal=History of Photography|volume= 27|issue= 3|pages=264–271|doi=10.1080/03087298.2003.10441252 |via=JSTOR}}] |
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''''Bearing in Mind 2'''' (1998) is featured in the [[Seoul Museum of Art]]. The artistic medium follows a similar 19th century portrait, landscape, and media in order to interpret the human experience. The piece aims to extract the subject and placing them in a fabricated landscape in hopes to retell their story based on what the audience views. [{{Cite web |title=Bearing in Mind2 and more – Seoul Mediacity Biennale|url=https://www.mediacityseoul.kr/en/yesterday/artworks/bearing-in-mind2-and-more|access-date=2026-04-30|website=www.mediacityseoul.kr|language=en}}] |
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''''Bearing in Mind 2'''' (1998) is featured in the [[Seoul Museum of Art]]. The artistic medium follows a similar 19th century portrait, landscape, and media in order to interpret the human experience. The piece aims to extract the subject and placing them in a fabricated landscape in hopes to retell their story based on what the audience views. [{{Cite web |title=Bearing in Mind2 and more – Seoul Mediacity Biennale|url=https://www.mediacityseoul.kr/en/yesterday/artworks/bearing-in-mind2-and-more|access-date=2026-04-30|website=www.mediacityseoul.kr|language=en}}] |
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