Gothic sculpture
Late Gothic
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[[File:Dortmund_Petrikirche_Antwerpener_Retabel.jpg|thumb|''Antwerp Retable'' in [[St. Peter, Syburg|St. Peter's Church]] in [[Dortmund]], 1521]] |
[[File:Dortmund_Petrikirche_Antwerpener_Retabel.jpg|thumb|''Antwerp Retable'' in [[St. Peter, Syburg|St. Peter's Church]] in [[Dortmund]], 1521]] |
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[[File:Holzschnitt_Schoen_Bildersturm_1530.jpg|thumb|[[Erhard Schön]], [[ |
[[File:Holzschnitt_Schoen_Bildersturm_1530.jpg|thumb|[[Erhard Schön]], (colored) [[woodcut]] showing an episode of [[iconoclasm]], c. 1530, Castle Museum [[Gotha]]]] |
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Another obvious trend of the period was the development of a taste for the complex and the ultra-sophisticated, which is strikingly evident in the large [[retable]]s with several juxtaposed scenes that replaced the old facade portals as a form of didactic illustration of doctrine in a large narrative panel. The very structure of the retables, which framed the scenes in elaborate architectural structures, often resembled a church facade.{{Cite book |last=Belting |first=Hans |url=https://books.google.com/books?id=kuWm7jVWFiEC&dq=%22international+gothic%22&pg=PA434 |title=Likeness and Presence: A History of the Image Before the Era of Art |date=1994 |publisher=University of Chicago Press |isbn=978-0-226-04215-2 }} |
Another obvious trend of the period was the development of a taste for the complex and the ultra-sophisticated, which is strikingly evident in the large [[retable]]s with several juxtaposed scenes that replaced the old facade portals as a form of didactic illustration of doctrine in a large narrative panel. The very structure of the retables, which framed the scenes in elaborate architectural structures, often resembled a church facade.{{Cite book |last=Belting |first=Hans |url=https://books.google.com/books?id=kuWm7jVWFiEC&dq=%22international+gothic%22&pg=PA434 |title=Likeness and Presence: A History of the Image Before the Era of Art |date=1994 |publisher=University of Chicago Press |isbn=978-0-226-04215-2 }} |
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