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More recently, historians such as Herbert Cowdrey have emphasised the movement's essentially religious nature.[{{Cite journal|last=Cowdrey|first=H. E. J.|date=December 1968|title=The Papacy, The Patarenes and the Church of Milan|url=https://www.cambridge.org/core/product/identifier/S0080440100007258/type/journal_article|journal=Transactions of the Royal Historical Society|language=en|volume=18|pages=25–48|doi=10.2307/3678954|jstor=3678954|s2cid=161640303 |issn=0080-4401|url-access=subscription}}] Many historians have associated the movement with wider reforming trends in the Church. For William North, the Pataria was 'the longest... and most violent of the popular responses to the call for ecclesiastical reform in the eleventh century'.[William North, 'The Pataria: Andrea da Strumi's Passion of Arialdo', in [[Katherine Jansen]] et al. (eds)., Medieval Italy, Texts in Translation (2009), p. 337] In his article on religious change in the eleventh century, R.I. Moore discussed the Pataria extensively as a major part of the 'appearance of the crowd on the stage of public events', which he sees as being brought into being by religious reform (itself, however, a response to social change).[{{Cite journal|last=Moore|first=R. I.|date=December 1980|title=Family, Community and Cult on the Eve of the Gregorian Reform|url=https://www.cambridge.org/core/journals/transactions-of-the-royal-historical-society/article/family-community-and-cult-on-the-eve-of-the-gregorian-reform/E77B0368EB0B7FFFF3D973E542D34986|journal=Transactions of the Royal Historical Society|language=en|volume=30|pages=49–69|doi=10.2307/3679002|jstor=3679002|s2cid=155002599 |issn=1474-0648|url-access=subscription}}] |
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More recently, historians such as Herbert Cowdrey have emphasised the movement's essentially religious nature.[{{Cite journal|last=Cowdrey|first=H. E. J.|date=December 1968|title=The Papacy, The Patarenes and the Church of Milan|url=https://www.cambridge.org/core/product/identifier/S0080440100007258/type/journal_article|journal=Transactions of the Royal Historical Society|language=en|volume=18|pages=25–48|doi=10.2307/3678954|jstor=3678954|s2cid=161640303 |issn=0080-4401|url-access=subscription}}] Many historians have associated the movement with wider reforming trends in the Church. For William North, the Pataria was 'the longest... and most violent of the popular responses to the call for ecclesiastical reform in the eleventh century'.[William North, 'The Pataria: Andrea da Strumi's Passion of Arialdo', in [[Katherine Jansen]] et al. (eds)., Medieval Italy, Texts in Translation (2009), p. 337] In his article on religious change in the eleventh century, R.I. Moore discussed the Pataria extensively as a major part of the 'appearance of the crowd on the stage of public events', which he sees as being brought into being by religious reform (itself, however, a response to social change).[{{Cite journal|last=Moore|first=R. I.|date=December 1980|title=Family, Community and Cult on the Eve of the Gregorian Reform|url=https://www.cambridge.org/core/journals/transactions-of-the-royal-historical-society/article/family-community-and-cult-on-the-eve-of-the-gregorian-reform/E77B0368EB0B7FFFF3D973E542D34986|journal=Transactions of the Royal Historical Society|language=en|volume=30|pages=49–69|doi=10.2307/3679002|jstor=3679002|s2cid=155002599 |issn=1474-0648|url-access=subscription}}] |
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In a recent article, Piroska Nagy suggested a new path of interpretation by analysing the collective emotions of the movement.[{{Cite journal|last=Nagy|first=Piroska|date=2018|title=Collective Emotions, History Writing and Change: The Case of the Pataria (Milan, Eleventh Century)|journal=Emotions: History, Culture, Society|volume=2|pages=132–152|doi=10.1163/2208522X-02010007|s2cid=165523563 }}] |
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In a 2018 article, Piroska Nagy suggested a new path of interpretation by analysing the collective emotions of the movement.[{{Cite journal|last=Nagy|first=Piroska|date=2018|title=Collective Emotions, History Writing and Change: The Case of the Pataria (Milan, Eleventh Century)|journal=Emotions: History, Culture, Society|volume=2|pages=132–152|doi=10.1163/2208522X-02010007|s2cid=165523563 }}] |
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